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WERK Magazine

DOMINIE-WERK No.26: Béton Brut (2018)

ブルータリズムの思想に対する応答として、シンガポールの印刷会社Dominie Pressとの協働で制作された『DOMINIE-WERK』第26号。

打ちっぱなしコンクリートを再現したような穴が格子状に配されており、紙の上には幾層にもわたってインクが刷り重ねられ、さらに本の小口側まで製本されています。本、あるいは紙の塊とも言える本書は、綴じられた640ページすべてに黒いインクが刷り重ねられ、紙とインクの物体として素材そのものの姿で、タイトルの「BÉTON BRUT（生コンクリート）」を再現しています。触覚的な体験を通してブルータリズムの本質を提示したコンセプチュアルな一冊。

DOMINIE-WERK No. 26, created as a response to Brutalist ideology in collaboration with the Singaporean printing company Dominie Press.

It features a grid of holes that replicates fair-faced concrete, while layers of ink are printed upon the paper, and the book is even bound shut along its fore-edge. This work, which could be called a book or simply a block of paper, has all of its 640 bound pages overprinted with black ink. As an object of paper and ink, it reproduces the title 'BÉTON BRUT' (raw concrete) in the form of the materials themselves. A conceptual volume that presents the essence of Brutalism through a tactile experience.

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Pages: 640
Size: 220 x 305 mm
Softcover
B&w
English

Published by WERK Magazine, 2018

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DOMINIE-WERK No.26: Béton Brut (2018)

DOMINIE-WERK No.26: Béton Brut (2018)

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DOMINIE-WERK No.26: Béton Brut (2018)

DOMINIE-WERK No.26: Béton Brut (2018)

Related Products

WERK No.1: How To Be Sexy Without Showing Everything (2000)

WERK No.2: I Wish For One Leather Jacket Comes With Many Scary Metals In New York City (2000/01)

WERK No.3: Repetition (2001)

WERK No.4: Clean But Chaotic (2001/02)

WERK No.7+8: The Inside Of A Shirt in collaboration with COMME des Garçons (Paris) / How To Defeat A Bully (2003/04)

WERK No.9: Three-Stories in collaboration with adidas Originals (2004)

WERK No.X: Meetings in collaboration with Colette and GUERRILLAZINE No.1 (2004/05)

WERK No.11 / GUERRILLAZINE No.2: Bastardized in collaboration with COMME des Garçons Guerrilla Stores (2005)

WERK No.13: Jan de Cock recorded and photographed by Kirby Koh (2006)

GUERRILLAZINE No.4: Urban Poetry – The Beauty of the Ordinary (2006)

GUERRILLAZINE No.6: Ideas For Corporate Salvation (2009)

WERK No.18: Keiichi Tanaami Psychedelic Visual Master (2010)

WERK No.20: Ginza – The Extremities Of The Printed Matter (2012)

WERK No.21: Martine Bedin. Essay and interview by Alison Harley (2014)

WERK No.28: Eugene Cheong “The Things That Are Not” (2021)

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